The ruins of the stadium, representing Valandur, returned to the scene from years ago. Using ballet preparatory steps as the visual introduction, the close-up of the flowers was shown simultaneously, and there was no one in the background to add a sense of mystery.
The normal shooting in the gym ensures that my camera shots include gradually zooming-out scenes to capture the quiet environment, and the close-up camera follows the hand movement, which can showcase the beauty of the movements. etc. At the same time, it also avoids the problem of light leakage.
Cut to the car driving into the mountains. This is where Valandur first arrived at this place. Also, a shot of the environment is provided.
Starting from the introduction of the dancing part in the classroom, the upward pull and leg lift movements with plant coverings are performed in coordination with the music.
Valandur pointed to Luken’s seat among the red flowers.
A close-up shot of the sky is followed by a view of the outdoor environment.
The frame size began to change. Here, Luken was using a camera to shoot, which also added more personalized Camera Movement.
This scene transitions to a stylized ghost-like scene. In this scene, Valandur has her usual straight hair and is distinguishable from when she is dancing, indicating that this is a more realistic portrayal. Through the changes in frame and color tones, one can sense the transition between the real scene and Luken’s camera lens, as well as the shift in atmosphere from being dangerous and chaotic.
Intentional shots are interspersed.